ABOUT CARLO

Carlo M. Dini studied music on his own during his university years, switching his focus from classical to electric guitar, eventually focusing more and more on harmony and composition. He started Black Yet Full of Stars in Italy, and wrote his first release under the name Black Yet Full of Stars between 2010 and 2014, during the same years in which he had started studying orchestration.

The first release (self-titled, Rockshots Records, 2016) has been well received by reviewers and featured a much more trash and heavy metal influence. When Carlo moved to Amsterdam to complete his university studies and made of his orchestral music “hobby” his daily job, he also turned Black yet Full of Stars into his metal playground, and decided to experiment - within the metal music context - how the orchestra can be featured together with the band, changing line-up and finding new guests for his records every time. With influences ranging from Nightwish to Peter Gabriel, Carlo has created a sound that is both personal and epic in scale, and aims to make of Black yet Full of Stars a unique orchestral metal project.

ABOUT DARK WING GOSPEL

The second title of Black yet Full of Stars, DARK WING GOSPEL, is written and produced entirely by Carlo, and was recorded with Michiel van der Plicht (Pestilence, God Dethroned, Carach Angren), Ludovico Cioffi (Delain, Modern Age Slavery, Nightland) amongst other incredible guests.

With elements of power, progressive, and heavy metal, DARK WING GOSPEL showcases all that Carlo has learned since starting his film scoring company in Amsterdam and it features unique taste in blending heavy guitar riffs, elaborate orchestral arrangements, dramatic symphonic choruses and unique harmonies, all driven by horror-themed lyrics, about an alchemist turned serial killer. The album is a triumph of self-production, with Carlo M. Dini taking full control of both the music and the lyrics, as well as the production and arrangement of each track, down to every minute detail.

The album was re-amped by Stefano Morabito (Fleshgod Apocalypse, Hideous Divinity) and mixed and mastered by Simone Mularoni (Rhapsody, Vision Divine, Michael Romeo). The album’s sound is defined by its masterful use of orchestral arrangements, with lead singer Davide Penna seamlessly blending clean vocals with Ludovico Cioffi’s powerful growls, creating a dynamic and evocative listening experience. Massive sounding string sections, a fifteen people choir, and cinematic soundscapes are prominently featured, adding a lush, elegant and epic quality to the music that sets it apart from typical symphonic metal releases. Each track takes the listener on a journey through dark, introspective themes, exploring topics such as madness, art and alchemical symbolisms.

[It] pedals a progressive, orchestral brand of power metal – think Black Halo era Kamelot on steroids — which grew on me very quickly, indeed.

Black Yet Full Of Stars offers up a collection of muscular riffing fit for the upper echelons of the soul-soaring power aficionado
— Ferrous Beuller, ANGRY METAL GUY

PRESS QUOTES

Dimmu Borgir, Fleshgod Apocalypse, Nightwish and Adagio have one thing in common. They all wish their orchestrations were as good as those on Dark Wing Gospel
— TheProgSpace
A unique piece of work for these times. A fantastic world in which metal uses a merciless orchestral universe to wander a dark scene of storms.
— Loudness Magazine
Every single song generates an air of excitement and interest to see what lies around each corner. The riffs are excellent and beefy, the orchestration is tastefully and artfully placed and vocals are akin to the great Henning Basse. Every song is brilliant emotion, and a melodic thunder.
— Metal Underground

PRESS PHOTOS

Coming soon!

GET IN TOUCH

    Carlo M. Dini
Voorburgstraat 20
1059TX AMSTERDAM
NH - The Netherlands

c.dini.novedue@gmail.com
NL (+31)643610945
IT (+39)3246362125

Carlo's Contacts

@musicbynowhere

@blackyetfullofstars